The Edinburgh Woollen Mill to The Den –  High Street, Bourton-on-the-Water

The Edinburgh Woollen Mill to The Den – High Street, Bourton-on-the-Water

Check out these china wide panel moulds images:

The Edinburgh Woollen Mill to The Den – High Street, Bourton-on-the-Water
china wide panel moulds
Image by ell brown
On the High Street in Bourton-on-the-Water.

Bourton China & Cookware, The Edinburgh Woollen Mill, Small Talk Tea Rooms & The Den.

The Den is a Grade II listed building (mostly the parts on Moore Road).

The Forge, Bourton-on-the-Water

1.
5224 HIGH STREET
(north-east side)

The Forge
(formerly listed as
The Smithy)
SP 1620 NE 3/9 25.8.60

II GV

2.
In 2 distinct builds.
Left hand: Late C16. Rubble with stone slate roof. One storey and attic, 2 bays,
each with gable. Wide 3 light casement with drip mould on right, modern bay with
doorway and pent roof on left. Two light stone mullion casement with drip mould in
each gable. Vestigial stone ridge stack.
Right hand: Formerly York House. Early/mid C18. Coursed rubble with dressed quoins
and stone slate roof. Two storeys and attic, one window. Sashes with glazing bars
with stone architrave and keyed head. Pedimented doorway with shouldered architrave
and triple key block, 6 panel door. Pedimented dormer. Stone verges and kneelers.
Ashlar end stacks with moulded string and cap. The doorway opens onto a through
passage used for the horses’ entrance. Early C19 watercolour of building in VCH by
T C Dibdin 1855.

Listing NGR: SP1676620741

This text is a legacy record and has not been updated since the building was originally listed. Details of the building may have changed in the intervening time. You should not rely on this listing as an accurate description of the building.

Source: English Heritage

Listed building text is © Crown Copyright. Reproduced under licence.

Image from page 121 of “Building with assurance” (1921)
china wide panel moulds
Image by Internet Archive Book Images
Identifier: BuildingWithAssurance
Title: Building with assurance
Year: 1921 (1920s)
Authors: Morgan Woodwork Organization
Subjects: woodwork — catalogs domestic architecture — catalogs furnishings — catalogs Division 06 Division 12 wood posts and columns wood stairs wood railings base and shoe moldings exterior wood door frames wood door and window casings dining tables and chairs lamps couchws and loveseats art glass
Publisher: Morgan Woodwork Organization
Contributing Library: MBJ collection

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Text Appearing Before Image:
Dining Room M-355 6 TTERE indeed is a dining room wFiich bears the unmistakable^ ^ stamp of good taste in every detail of its appointments—from the artistic buffet, china closet and table, to the well-chosenMorgan French Doors and Trim. Woodwork Parts Detailed Below For individual illustration of parts see pagesindicated in last column. 1 Picture Moulding M-8263 2 Door Stop M-8542 3 Door Jamb, 53^ wide M-8424 4 Casing M-8308 5 Back Band .M-8374 6 Window Stool M-8267 Page 383379397391390386 7 Window Apron M-8641 8 Thresholds M-8278 9 Base, ^ x 53^ M-8828 10 Base Shoe M^422 11 Chair Rail M-8626 Page383387397397382 _2llo The Panel Door in illustration is Morgan design M-800, with No. 1 White Pine Stiles and Rails and Unselected Gum Panels, shown on page 266. 117 ^^ill^

Text Appearing After Image:

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Nice High Quality Plastic Mould photos

Nice High Quality Plastic Mould photos

A few nice high quality plastic mould images I found:

The Guinness “widget”
high quality plastic mould
Image by slworking2
Curiosity got the best of me tonight and I decided to cut open a can of
Guinness in order to have a closer look at the "widget".

From Wikipedia, the free encyclopedia

The "floating widget" found in cans of beer is a hollow sphere, 3 cm in diameter. The can is pressurised by adding liquid nitrogen, which vaporises and expands in
volume after the can is sealed, forcing gas and beer into the widget’s
hollow interior through a tiny hole – the less beer the better for
subsequent head quality. In addition some nitrogen dissolves in the beer
which also contains dissolved carbon dioxide. The presence of dissolved
nitrogen allows smaller bubbles to be formed with consequent greater
creaminess of the subsequent head. This is because the smaller bubbles need
a higher internal pressure to balance the greater surface tension, which is
inversely proportional to the radius of the bubbles. Achieving this higher
pressure is not possible just with dissolved carbon dioxide because the much
greater solubility of this gas compared to nitrogen would create an
unacceptably large head. When the can is opened, the pressure in the can
drops, causing the pressurised gas and beer inside the widget to jet out
from the hole. This agitation on the surrounding beer causes a chain
reaction of bubble formation throughout the beer. The result, when the can
is then poured out, is a surging mixture in the glass of very small gas
bubbles and liquid, just as is the case with certain types of draught beer such as draught stouts. In the case of these draught beers, which also contain before dispensing a
mixture of dissolved nitrogen and carbon dioxide, the agitation is caused by
forcing the beer under pressure through small holes in a restrictor in the
tap. The surging mixture gradually settles to produce a very creamy head.
The original widget was patented in the UK by Guinness.

The word "widget" as applied to this device is a trademark of the Guinness
brewery.

Background

Draught Guinness as it is known today was first produced in 1964. With
Guinness keen to produce Draught in package for consumers to drink at home,
Bottled Draught Guinness was formulated in 1978 and launched into the Irish
market in 1979. It was never actively marketed internationally as it
required an initiator which looked rather like a syringe to make it work.

Development

The initial inventors of generating draught Guinness from cans or bottles by
means of a sudden gas discharge from an internal compartment when the can or
bottle is opened were Tony Carey and Sammy Hildebrand, brewers with Guinness
in Dublin, in 1968. This invention was patented by them in British Patent No
1266351, filed 1969-01-27, complete specification published 1972-03-08. Development work on a can system under Project ACORN focused on an arrangement whereby a false lid underneath the main lid formed the gas chamber. Technical difficulties led to a
decision to put the can route on hold and concentrate on bottles using
external initiators. Subsequently, Guinness allowed this patent to lapse and
it was not until Ernest Saunders centralised R & D in 1984 that work
re-started on this invention under the direction of Alan Forage.

The design of an internal compartment that could be readily inserted during
the canning process was devised by Alan Forage and William Byrne, and work
started on the widget during the period 1984/85. The plan was to introduce a
plastic capsule into the can, pressurise it during the filling process and
then allow it to release this pressure in a controlled manner when the can
was being opened. This would be sufficient to initiate the product and give
it the characteristic creamy head. However, it was pointed out by Tony Carey
that this resulted in beer being forced into the ‘widget’ during
pasteurisation with consequent very poor head quality. He suggested
overcoming this by rapidly inverting the can after the lid was seamed on.
This extra innovation was successful.

It is important that oxygen is eliminated from any process developed as this can cause flavour deterioration when present.

The first samples sent to Dublin were labelled "Project Dynamite", which
caused some delay before customs and excise would release the samples.
Because of this the name was changed to Oaktree. Another name that changed
was ‘inserts’ – the operators called them widgets almost immediately after
they arrived on site – a name that has now stuck with the industry.

The development of ideas continued. In fact over 100 alternatives were
considered. The blow moulded widget was to be pierced with a laser and a
blower was then necessary to blow away the plume created by the laser
burning through the polypropylene. This was abandoned and instead it was
decided to gas exchange air for nitrogen on the filler, and produce the
inserts with a hole in place using straight forward and cheaper injection
moulding techniques.

Commissioning began January 1988, with a national launch date of March 1989.

This first generation widget was a plastic disk held by friction in the
bottom of the can. This method worked fine if the beer was served cold; when
served warm the can would overflow when opened. The floating widget, which
was launched in 1997, does not have this problem.

http://en.wikipedia.org/wiki/Widget_(beer)

Cool High Quality Plastic Mould images

Cool High Quality Plastic Mould images

A few nice high quality plastic mould images I found:

Image from page 178 of “William Shakespeare; poet, dramatist, and man” (1901)
high quality plastic mould
Image by Internet Archive Book Images
Identifier: williamshakespe00mabi
Title: William Shakespeare; poet, dramatist, and man
Year: 1901 (1900s)
Authors: Mabie, Hamilton Wright, 1846-1916
Subjects: Shakespeare, William, 1564-1616
Publisher: New York : The Macmillan company London, Macmillan & co., ltd.
Contributing Library: University of California Libraries
Digitizing Sponsor: MSN

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hadbecome a well-defined and highly developed nationalspeech when Shakespeare began to use it, but wasstill the language of life rather than of literature;its freshest and most beguiling combinations ofsound and sense were still to be made; it was stillwarm from the moulds in which it had been cast; itwas still plastic to the touch of the imagination.The poet had learned its most intimate familiar APPRENTICESHIP 135 symbols of homely, domestic, daily life among thepeople at Strat-ford ; he haddrunk of itsancient classi-cal springs inthe grammarschool; and, inLondon, amongmen of gift,quality, andknowledge ofthe world, hecame quickly tomaster the vo-cabulary of themen of action,adventure, andaffairs. Thedrama as a liter-ary form was atthe same criti-cal stage ; itwas well de-fined, its mainlines were dis-tinctly marked,but it had nothardened into wiluam shakespeare. final fnv TY-i c ^^^ J ^ ^ ^^■^ statue, which stands at the entrance to thellliai iOrmS. jVIall, central Park, New York.

Text Appearing After Image:
136 WILLIAM SHAKESPEARE The genius of Marlowe had brought to Its de-velopment the richness of diction and the imagi-native splendour of great poetry. It remained forShakespeare to harmonize both language and artwith the highest individual insight and gift of song,and to blend in forms of ultimate beauty and powerthe vitality of his age, the quality of his genius, agreat philosophy of life, and the freedom and flexi-bility of a language of noble compass both ofthought and music. The stage offered both the form and the field fora great popular literature ; a literature capaciousenough to receive and conserve the largest thoughtconcerning human destiny, to disclose and to employthe finest resources of poetry, and yet to use a speechwhich was part of every Englishmans memory andexperience. The drama was the one great oppor-tunity of expression which the age offered, andShakespeare turned to it instinctively. The meas-ure of his orenius was the measure of his sensitive-ness, and his imagin

Note About Images
Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.

Image from page 168 of “William Shakespeare; poet, dramatist, and man” (1901)
high quality plastic mould
Image by Internet Archive Book Images
Identifier: williamshakespea01mabi
Title: William Shakespeare; poet, dramatist, and man
Year: 1901 (1900s)
Authors: Mabie, Hamilton Wright, 1846-1916
Subjects: Shakespeare, William, 1564-1616 Dramatists, English
Publisher: New York, The Macmillan company London, Macmillan & co., ltd.
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

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Text Appearing Before Image:
ombined, hadbecome a well-defined and highly developed nationalspeech when Shakespeare began to use it, but wasstill the language of life rather than of literature;its freshest and most beguiling combinations ofsound and sense were still to be made; it was stillwarm from the moulds in which it had been cast; itwas still plastic to the touch of the imagination.The poet had learned its most intimate familiar APPRENTICESHIP 135 symbols of homely, domestic, daily life among thepeople at Strat-ford ; he haddrunk of itsancient classi-cal springs inthe grammarschool; and, inLondon, amongmen of gift,quality, andknowledge ofthe world, hecame quickly tomaster the vo-cabulary of themen of action,adventure, andaffairs. Thedrama as a liter-ary form was atthe same criti-cal stage ; itwas well de-fined, its mainlines were dis-tinctly marked,but it had nothardened into william shakespeare. £• 1 r The J. Q. A. Ward statue, which stands at the entrance to the inailOrmS. Mall, central Park, New York.

Text Appearing After Image:
136 WILLIAM SHAKESPEARE The genius of Marlowe had brought to its de-velopment the richness of diction and the imagi-native splendour of great poetry. It remained forShakespeare to harmonize both language and artwith the highest individual insight and gift of song,and to blend in forms of ultimate beauty and powerthe vitality of his age, the quality of his genius, agreat philosophy of life, and the freedom and flexi-bility of a language of noble compass both ofthought and music. The stage offered both the form and the field fora great popular literature ; a literature capaciousenough to receive and conserve the largest thoughtconcerning human destiny, to disclose and to employthe finest resources of poetry, and yet to use a speechwhich was part of every Englishmans memory andexperience. The drama was the one great oppor-tunity of expression which the age offered, andShakespeare turned to it instinctively. The meas-ure of his genius was the measure of his sensitive-ness, and his imagina

Note About Images
Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability – coloration and appearance of these illustrations may not perfectly resemble the original work.

Look for High Quality, Affordable Manufacturing Equipment in East Asian Markets

Look for High Quality, Affordable Manufacturing Equipment in East Asian Markets

East Asian markets have been known for providing with low cost but high efficiency machinery. If you are a new manufacturing start up, then you should consider this as the top option. Not only, you save money, but also improve product quality.

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This requires a balance of quality and money. These new startups are looking for machinery that is not only affordable but also efficient. We are not talking about the extremely efficient German-Japanese kind of machines, but at those that perform comparatively lower, but are at least decent performers.

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But Why You Should Go For The East Asian Markets Only

This is no hard and fast rule that you should go only to these markets. However, when you are looking for some decent pricing with decent performance, you have to move towards this direction. The reason is that you don’t have other markets where you can get this. You will get quality, but with a heavy price, or you may get low costs but with no performance.
We don’t claim that these markets are the ultimate place where you can find all the quality, but you can be assured that you will find at least the decent quality of manufacturing machines that can really help you in the beginning.

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This article is written by Jacob Williams on behalf of HQMOULD. His knowledge in plastic moulding industry has seen him contribute to and write several articles on topics like plastic mould, Custom Mould, Plastic Mould Suppliers, Mould China and plastic mould China etc.
Opt for a Trusted Name amongst Plastic Injection Mould Suppliers China Who Offer you High quality Goods

Opt for a Trusted Name amongst Plastic Injection Mould Suppliers China Who Offer you High quality Goods

You can trust China mould producers who offer high top quality items. They aim at buyer satisfaction and give hassle-totally free service.

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As molds are expensive, they are utilised mostly in cases of mass production exactly where a number of components are made. Normally molds are produced with pre-hardened steel or hardened steel. To manufacture plastic components plastic injection molding is often preferred. This process is typically employed to generate bottle caps, containers, interiors of automotives and many other plastic items. The plastic injection molds are the ideal selection when big volumes of plastic parts need to be created. Some benefits of injection molding involve minimum scrap loss, repeatability and higher levels of tolerance.

This report is written by Jacob Williams on behalf of HQMOULD. His expertise in plastic moulding market has seen him contribute to and create several articles on topics like Plastic Mould, China mould manufacturer, Custom Mould, Mould China and plastic injection mould suppliers China etc.